Jewly Hight
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Luke Combs' cover of Tracy Chapman's 1988 hit "Fast Car" won single of the year. Chapman got song of the year — making her the first Black songwriter to win in that category.
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Singer-songwriter Jessy Wilson was ready to walk away from music until her song "Keep Rising" was chosen as the closing anthem for the movie The Woman King.
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The country singer brought unparalleled candor about the domestic realities of working-class women to country songwriting over the course of her 60-year career.
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A contemporary brass band that grew out of one of Nashville's historically Black universities is helping to expand the lost musical identity of the country capital.
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The mostly white country and folk music industries remain frustratingly difficult for Black musicians to enter. During one of Nashville's biggest events, one group envisioned a new pathway in.
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Lambert, who just put out her seventh album, Wildcard, has closed the gap between serious singer-songwriter and arena-rocking entertainer to become the most riveting country star of her generation.
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There really was no precedent for Maybelle Carter, who learned to play from her own mother and spent much of her life teaching her children — as well as generations of country stars that followed.
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In the '90s, Brooks & Dunn helped to broaden country music's audience with its embrace of a wide range of sounds and on-stage spectacle. 25 years later, their influence is everywhere in Nashville.
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Auerbach breaks down working with new artists and seasoned session players through his label imprint, Easy Eye Sound.
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On her bustling third album, the former Carolina Chocolate Drops member maps her vision of the Afro-Caribbean diaspora while gently taking Anglocentricism (and capitalism) down a notch.